|
January 12, 1958
|
|
|
Eddie Cochran |
|
| Liberty Custom Recorders - Hollywood, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
| LB-847 |
LIBERTY F
55138 |
Pretty Girl
(MASTER - US MONO single version) |
Eddie
Cochran |
1:49 |
BCD 15989 HK |
|
LONDON
HL-G 9464 |
Pretty Girl
(UK MONO single version
with the intro clipped and reverb and compression added) |
Eddie
Cochran |
1:46 |
BCD 15989 HK |
|
U.ARTISTS ESCP 20 (UK) |
Pretty Girl
(2-track STEREO
version with different lyrics before the guitar break) |
Eddie
Cochran |
1:49 |
BCD 15989 HK |
|
LIBERTY EN 26 0532 3 (UK) |
Pretty Girl
(3-track STEREO-version
as above) |
Eddie
Cochran |
1:49 |
BCD 15989 HK |
|
|
|
|
|
|
| LB-816 |
LIBERTY F-55123 |
Jeannie,
Jeannie, Jeannie
(MASTER - US MONO single version with guitar overdub) |
Eddie
Cochran |
2:18 |
BCD 15989 HK |
|
ROCKSTAR-LP
1008 |
Jeannie,
Jeannie, Jeannie
(STEREO minus guitar overdub) |
Eddie
Cochran |
2:18 |
BCD 15989 HK |
|
|
Jeannie,
Jeannie, Jeannie
(MONO
minus guitar overdub) |
Eddie
Cochran |
2:18 |
EMI CD ECB 1 |
|
|
|
|
|
|
|
Musicians -
Eddie Cochran: vocal and guitar - Connie 'Guybo' Smith: electric bass - Earl
Palmer: drums - possibly Ray Johnson: piano. |
|
|
|
The EMI CD
ECB1 boxset versions of Jeannie,
Jeannie, Jeannie in mono and stereo are the same takes without guitar
overdub. The release of 'Jeannie, Jeannie, Jeannie'
on the 4 LP box set "20th Anniversary" ECSP 20 has the engineer say "master
X5" before the take starts. |
| |
|
| |
The three
alternate versions of 'Pretty Girl' are also available on CD ROCKSTAR RSRCD 026. 'Jeannie, Jeannie, Jeannie' US mono
single version is also available on CD SEECD
271, the stereo version is also available on CD ROCKSTAR RSRCD 026. |
|
|
|
|
|
|
|
 |
 |
 |
 |
|
Liberty F-55123 |
London
HL-G 9464 (UK) |
Rockstar
RSR-LP 1008 (UK) |
Bear Family BCD 15989 HK (Ger) |
|
|
January 16, 1958
|
|
|
Eddie Cochran (overdub
session) |
|
| Liberty Custom Recorders - Hollywood, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
|
Ah, Pretty Girl
(take 32) |
Eddie Cochran |
|
|
|
|
|
|
|
|
|
Musicians -
Eddie Cochran: vocal and guitar - Connie 'Guybo' Smith: electric bass - possibly Earl
Palmer: drums - The Johnny Mann Chorus: chorus.
|
|
|
|
Overdub session on
'Ah, Pretty Girl' from september
1957 including chorus overdub. |
|
|
Possibly early 1958
|
|
|
Eddie Cochran
|
|
|
Goldstar Studio - Hollywood,
California |
|
|
|
|
|
|
|
January 1958
|
|
|
Eddie Cochran |
|
| Goldstar Studio - Hollywood, California |
|
|
|
Early 1958
|
|
|
John Ashley |
|
| Los
Angeles, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
HYDRA
BCK 27114 (GER) |
Born
To Rock |
John Ashley |
2:02 |
HYDRA
BCK 27114
|
|
|
|
|
|
|
|
Musicians -
John Ashley: vocal - Eddie Cochran: guitar - Unidentified: other musicians. |
|
|
|
John
Ashley (December 25, 1934 - October 3, 1997) was an American actor who,
after a long apprenticeship in schlock cinema, effectively switched to a
second career in primetime TV series production, Ashley began his acting
career in the late 1950s when he essayed roles in such less-than-memorable
films (mostly for American International Pictures) as "Hot Rod
Gang" (1958), "Suicide Battalion", "Frankenstein's
Daughter" and "How to Make a Monster" (all 1958).
Continuing with AIP into the 60s he played second leads in several of the
studio's "beach party" movies, including "Muscle Beach
Party", "Bikini Beach" (both 1964) and "Beach Blanket
Bingo" (1965), which co-starred his wife at that time, Deborah Walley.
After working with director Eddie Romero on "Brides of Blood"
(1968) and "Beast of Blood" (1970), Romero and Ashley began to
co-produce such modest films as "Beyond Atlantis", "Twilight
People" (both 1973) and "Savage Sisters" (1974), most of
which starred Ashley and were directed by Romero. As representatives of
Hemisphere distributors, the duo also had a hand in the production of
Francis Ford Coppola's decidedly more ambitious "Apocalypse Now"
(1979). He died from a heart attack at age 62. Ashley's voice can be heard
as the narrator during the opening title sequence of The A-Team
during the show's first four seasons he also served as one of the show's
producers. |
|
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|
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|
| |
|
 |
 |
| |
|
John
Ashley |
Hydra
Records BCK 27114 (Germany) |
|
|
|
|
1958/1959 (exact date unknown)
|
|
|
John Ashley |
|
| Los
Angeles, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
HYDRA
BCK 27114 (GER) |
Don't
Let Them Tear Us Apart |
John Ashley |
3:14 |
HYDRA
BCK 27114
|
|
HYDRA
BCK 27114 (GER) |
Mean
Mean Woman |
John Ashley |
2:22 |
HYDRA
BCK 27114 |
|
|
|
|
|
|
|
Musicians -
John Ashley: vocal - Eddie Cochran: guitar - Unidentified: other musicians. |
|
|
|
|
|
|
|
| |
|
 |
|
| |
|
John
Ashley |
Hydra
Records BCK 27114 (Germany) |
|
|
|
|
March 3, 1958
|
|
|
Eddie Cochran |
|
| Liberty Custom Recorders - Hollywood, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
Unreleased |
Teresa
- take 1 (STEREO) |
Eddie
Cochran |
|
Unreleased
/ lost |
|
Unreleased |
Teresa
- take 2 (STEREO) |
Eddie
Cochran |
|
Unreleased
/ lost |
|
Unreleased |
Teresa
- take 3 (STEREO) |
Eddie
Cochran |
|
Unreleased
/ lost |
| LB 846 |
LIBERTY F-55138 |
Teresa
- take 3 (MONO) |
Eddie
Cochran |
2:04 |
BCD 15989 HK |
|
|
|
|
|
|
|
Musicians -
Eddie Cochran: vocal and guitar - Connie 'Guybo' Smith: electric bass -
Unidentified: drums and female
chorus. |
|
|
|
'Teresa' was
recorded in three track stereo but the original tape is lost. |
|
|
|
|
|
|
|
 |
|
|
|
|
LIBERTY F-55138
(promo side A) |
|
Eddie
Cochran and Connie 'Guybo' Smith on stage 1958
|
Bear Family BCD 15989 HK (Ger) |
|
|
|
Early 1958
|
|
|
Bob Luman |
|
| Unknown
recording location |
|
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
ROCKSTAR RSRCD 009
(UK) |
Guitar
Picker |
Bob Luman |
1:57 |
BCD 15989 HK |
|
|
|
|
|
|
|
Musicians -
Bob Luman: vocal - Eddie Cochran and Fred Carter: lead guitars - Probably
Conny 'Guybo' Smith: stand-up bass. |
| |
|
|
|
|
|
|
With the release of
the 'Guitar Picker' boxset on the Castle Music label in 2007 the identity of
the singer became known as Bob Luman. |
| |
|
| |
'Guitar Picker' is
also available on CD ROCKSTAR RSRCD 009 and
CMXBX1452. |
| |
|
| |
Bob Luman started
out as a rockabilly performer, switched to country and then in the late '50s
nearly ditched the music industry altogether. Through his teens, Luman was
primarily interested in singing country music like his idol Lefty Frizzell,
but then he saw Elvis, which inspired him to try his hand at the rockabilly
sound. Soon after graduating, Luman won a talent contest, leading to his
debut on the Louisiana Hayride. He became a regular in the mid-'50s, and had
a small role in the 1957 film Carnival Rock; still, his singles did nothing
on the charts. In 1959, the Pittsburgh Pirates offered Luman a contract; fed
up with his lack of success, he announced his intention to accept the offer
during a concert one night. However, the Everly Brothers talked him into
recording the Boudleaux Bryant song "Let's Think About Living"; sure enough,
it was a Top Ten hit on both the country and pop charts. His follow-up, "The
Great Snowman," was also a hit, but he was drafted, and spent the next two
years in the military. In 1964, he began recording for Hickory Records, and
the following year, he became a member of the Grand Ole Opry. Luman
eventually signed with Epic Records and had a string of Top 25 hits over the
next ten years. He toured extensively and became the first country singer to
perform in Puerto Rico; he also remained a regular on the Opry, where his
lively performances veered close to rock & roll at times. Luman had a major
heart attack in 1975, and it took him nearly five months to recover. His
final chart appearance came in 1977; the following year he contracted
pneumonia and died at the age of 41. (Sandra Brennan - Allmusic Guide) |
| |
|
|
|
|
|
|
(possibly)
March 1958
|
|
|
John Ashley (soundtrack for movie
"Hot Rod Gang") |
|
| Goldstar Studio - Hollywood, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
HYDRA
BCK 27114 (GER) |
Annie
Laurie
|
John Ashley |
2:12 |
HYDRA
BCK 27114 |
|
HYDRA
BCK 27114 (GER) |
Hit
And Run Lover |
John Ashley |
2:09 |
HYDRA
BCK 27114 |
|
|
|
|
|
|
|
Musicians -
John Ashley: vocal - Eddie Cochran: guitar - Probably Mike Henderson:
tenor sax - Gene Riggio: drums -
Unidentified: bass and piano. |
|
|
| |
There are three
untitled instrumentals to be heard in the film which probably feature Eddie
Cochran on guitar. |
| |
|
|
 |
 |
|
| John ashley |
Gene Vincent, Jody Fair and John Ashley in 'Hot Rod
Gang' |
Hydra
Records BCK 27114 (Germany) |
|
|
|
|
March 25, 1958
|
|
|
Gene Vincent |
|
| Capitol Recording Studios, Capitol Tower - Hollywood, California |
|
| Producer:
Ken Nelson |
|
| Matrix nr |
Original release |
Title |
|
Vocal |
Time |
Available
on |
| 18640 |
CAPITOL
T.1059 |
Git It |
|
Gene
Vincent |
2:24 |
BCD 15989 HK |
|
|
|
|
|
|
|
|
Musicians -
Gene Vincent: vocal - Johnny Meeks: lead guitar - Bobby Jones: electric
bass -
Cliff Simmons: piano - Grady Owens: rhythm guitar - Juvey Gomez: drums -
clapper boys/backing vocals: Tommy Facenda & Paul Peek - backing bass
vocals: Eddie Cochran. |
|
|
|
|
|
|
|
|
Also
recorded 'Dance In The Street' (matrix 18639) no Eddie Cochran involvement. |
| |
|
| |
'Git It' also available on
CD
BEAR FAMILY BCD16257HL. |
|
|
|
|
|
|
|
| March 26, 1958 |
|
|
|
|
| Gene Vincent |
|
|
|
|
| Capitol Recording Studios, Capitol Tower - Hollywood, California |
|
|
|
|
| Producer: Ken Nelson |
|
|
|
|
| 18651 |
CAPITOL
T.1059 |
Teenage Partner |
|
Gene
Vincent |
2:16 |
BEAR FAMILY BCD16257HL |
| 18652 |
CAPITOL
T.1059 |
Peace Of Mind |
|
Gene
Vincent |
2:22 |
BEAR FAMILY BCD16257HL |
| 18653 |
CAPITOL EAP 1-985 |
Lovely Loretta |
|
Gene
Vincent |
2:02 |
BEAR FAMILY BCD16257HL |
|
|
|
|
|
|
|
|
Musicians -
Gene Vincent: vocal - Johnny Meeks: lead guitar - Bobby Jones: electric
bass -
Cliff Simmons: piano - Grady Owens: rhythm guitar - Juvey Gomez: drums -
clapper boys/backing vocals: Tommy Facenda & Paul Peek - backing bass
vocals: Eddie Cochran. |
|
|
|
|
|
|
|
|
Also
recorded 'I Love You' (matrix 18650) no Eddie Cochran involvement. |
|
|
|
|
|
|
|
| March 27, 1958 |
|
|
|
|
| Gene Vincent |
|
|
|
|
|
Capitol Recording Studios, Capitol Tower - Hollywood, California |
|
|
|
|
| Producer: Ken Nelson |
|
|
|
|
| 18660 |
CAPITOL
T.1059 |
Somebody Help Me |
|
Gene
Vincent |
2:09 |
BEAR FAMILY BCD16257HL |
| 18661 |
CAPITOL
T.1059 |
Five
Feet Of Lovin' (version 2) |
|
Gene
Vincent |
2:11 |
BEAR FAMILY BCD16257HL |
|
|
|
|
|
|
|
|
Musicians -
Gene Vincent: vocal - Johnny Meeks: lead guitar - Bobby Jones: electric
bass -
Cliff Simmons: piano - Grady Owens: rhythm guitar - Juvey Gomez: drums -
clapper boys/backing vocals: Tommy Facenda & Paul Peek - backing bass
vocals: Eddie Cochran. |
|
|
|
|
|
|
|
|
Also
recorded 'Little Lover' (matrix 18658) and 'Rocky Road Blues' (matrix
18659) no Eddie Cochran involvement. |
|
|
|
|
|
|
|
| |
Gene Vincent,
born on February 11, 1935 in Norfolk, Virginia only had one really big
hit, "Be-Bop-a-Lula," which epitomized rockabilly at its prime
in 1956 with its sharp guitar breaks, spare snare drums, fluttering echo,
and Vincent's breathless, sexy vocals. Yet his place as one of the great
early rock & roll singers is secure, backed up by a wealth of fine
smaller hits and non-hits that rate among the best rockabilly of all time.
The leather-clad, limping, greasy-haired singer was also one of rock's
original bad boys, lionized by romanticists of past and present
generations attracted to his primitive, sometimes savage style and
indomitable spirit. As a 20-year-old in the Navy, he suffered a severe motorcycle
accident that almost resulted in the amputation of his leg, and left him
with a permanent limp and considerable chronic pain for the rest of his
life. After the accident he began to concentrate on building a musical
career, playing with country bands around the Norfolk, VA, area. Demos cut
at a local radio station, fronting a band assembled around Gene by his
management, landed Gene Vincent & the Blue Caps a contract at Capitol.
By this time Vincent had plunged into all-out
rockabilly, capable of both fast-paced exuberance and whispery, almost
sensitive ballads. The Blue Caps were one of the greatest rock bands of
the '50s, anchored at first by the stunning silvery, faster-than-light
guitar leads of Cliff Gallup. The slap-back echo of "Be-Bop-a-Lula,"
combined with Gene's swooping vocals, first hit the airwaves in mid-1956, on its way
to the Top Ten. Brilliant follow-ups like "Race With the Devil," "Bluejean
Bop," and "B-I-Bickey, Bi, Bo-Bo-Go" failed to click in
nearly as big a way, although these too are emblematic of rockabilly at
its most exuberant and powerful. Vincent had his second and final Top Twenty hit in 1957 with "Lotta
Lovin'," which reflected his increasingly tamer approach to
production and vocals. He recorded often for Capitol throughout the rest of the
'50s. His act was captured
for posterity in one of the best scenes of one of the first Hollywood
films to feature rock & roll stars, The Girl Can't Help It.
Live, Vincent continued to rock the house with reckless intensity and
showmanship, and he became particularly popular overseas. A 1960 tour of
Britain, though, brought tragedy when his friend Eddie Cochran, who shared
the bill on Vincent's U.K. shows, died in a car accident that he was also
involved in, though Vincent survived. By the early '60s, his recordings
had become much more sporadic and lower in quality, and his chief audience
was in Europe, particularly in England (where he lived for a while) and
France.
His Capitol contract expired in 1963, and he spent the rest of his life
recording for several other labels, none of which got him close to that
comeback hit. His medical, drinking, and marital problems were making his life a
mess, and diminishing his stage presence as well. He died on October 12, 1971 in Newhall, California
at the age of 36
from a ruptured stomach ulcer, one of rock's first mythic figures (based
on Richie Unterberger, All Music Guide). |
| |
|
|
|
|
|
| |
|
|
|
March 28,
1958
|
|
|
Eddie Cochran
|
|
|
Goldstar
Studio - Hollywood, California |
|
|
Matrix nr |
Original release |
Title |
Vocal
|
Time
|
Available on |
|
LB 859 |
LIBERTY F-55144 |
Summertime Blues
(US single
version with echo) |
Eddie Cochran |
1:57 |
BCD 15989 HK |
|
MSX 2803 |
LONDON HL-U 8702 (UK) |
Summertime
Blues
(UK single version) |
Eddie Cochran |
1:59 |
BCD 15989 HK |
|
|
|
|
|
|
|
Musicians - Eddie Cochran:
vocal, guitar and guitar overdubs - Connie 'Guybo'
Smith: electric bass - Earl Palmer: drums - probably
Sharon Sheeley and Jerry Capehart: handclapping. |
|
|
| |
'Summertime Blues' US
single version with echo also available on CD
SEECD 271. |
| |
|
|
 |
|
 |
|
|
Liberty F-55144
|
London HL-U 8702 (UK)
|
See
For Miles SEE CD 271 (UK)
|
Bear Family BCD 15989 HK (Ger) |
|
|
|
|
| March 29, 1958 |
|
|
|
|
| Gene Vincent |
|
|
|
|
|
Capitol Recording Studios, Capitol Tower - Hollywood, California |
|
|
|
|
| Producer: Ken Nelson |
|
|
|
|
| 18708 |
CAPITOL
T.1059 |
The Wayward Wind |
|
Gene
Vincent |
2:42 |
BEAR FAMILY BCD16257HL |
| 18709 |
CAPITOL
T.1207 |
Now Is The Hour |
|
Gene
Vincent |
2:57 |
BEAR FAMILY BCD16257HL |
|
|
|
|
|
|
|
|
Musicians -
Gene Vincent: vocal - Johnny Meeks: lead guitar - Bobby Jones: electric
bass -
Cliff Simmons: piano - Grady Owens: rhythm guitar - Juvey Gomez: drums -
clapper boys/backing vocals: Tommy Facenda & Paul Peek - backing bass
vocals: Eddie Cochran. |
|
|
|
These
eight Gene
Vincent songs featuring Eddie Cochran (including March 25, 26 and 27) were also made available on Rockstar-LP 1007: Cruisin' with
Gene Vincent & The Blue Caps. Eddie Cochran is also credited with the
arrangement of 'Git It'. Four more songs were recorded on March 28 when
Eddie Cochran recorded his own classic 'Summertime Blues': 'Look What You Gone And Done To Me' (matrix 18682), 'Hey Good Lookin' (matrix
18683), Summertime (matrix 18684) and 'I Can't Help It' (matrix 18685) no
Eddie Cochran involvement. |
|
|
|
|
|
|
|
|
 |
 |
|
 |
| Capitol
T.1059 |
Capitol
T.1207
|
Gene
Vincent |
Bear
Family BCD 16257 HL (Germany) |
|
|
April 7, 1958
|
|
|
Eddie Cochran
(overdub session) |
|
| Liberty Custom Recorders - Hollywood, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
EMI 50999 2 67778 2 5 (UK) |
Ah, Pretty Girl
- take 19 |
Eddie
Cochran |
1:58 |
EMI 50999 2 67778 2 5 |
|
Unreleased |
Ah, Pretty Girl
- take 24 |
Eddie
Cochran |
|
Unreleased |
|
LIBERTY LBY 1127 (UK) |
Ah, Pretty Girl
- take 32 (alternate chorus + vocal overdub) |
Eddie
Cochran |
1:51 |
BCD 15989 HK |
|
LIBERTY 45 10.032 (NED) |
Ah, Pretty Girl
- take 32 (overdubbed guitar solo) - MONO |
Eddie
Cochran |
2:09 |
BCD 15989 HK |
|
ROCKSTAR RSR-LP 1008
(UK) |
Ah, Pretty Girl
- take 32 (overdubbed guitar solo) - STEREO |
Eddie
Cochran |
2:13 |
BCD 15989 HK |
|
|
|
|
|
|
|
Musicians -
Eddie Cochran: vocal and guitar - Connie 'Guybo' Smith: electric bass - possibly Earl
Palmer: drums - The Johnny Mann Chorus: chorus overdub. |
|
|
|
The version
of Liberty LBY 1127 has a different vocal and chorus overdub and is minus
the guitar solo. This version was released for the first time on CD on the
French 'The Eddie Cochran memorial Album' MAM 101/3930537. |
| |
|
| |
'Ah, Pretty
Girl' (alternate chorus + vocal overdub) also available on the French CD MAM
101/3930537. 'Ah, Pretty Girl' (overdubbed guitar solo -
STEREO) also available on CD
ROCKSTAR RSRCD 026. |
|
|
|
|
|
|
|
|
|
April 1958
|
|
|
Bob Denton & Eddie
Cochran |
|
| Goldstar Studio - Hollywood, California |
|
|
May 1958
|
|
|
Eddie Cochran |
|
| Goldstar Studio - Hollywood, California |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
| LB-858 |
LIBERTY F-55144 |
Love Again |
Eddie
Cochran |
2:10 |
BCD 15989 HK |
| LB-1132 |
LIBERTY
F-55278 |
Lonely |
Eddie
Cochran |
2:13 |
BCD 15989 HK |
|
|
|
Musicians -
Eddie Cochran: vocal and guitar - Connie 'Guybo' Smith: electric bass -
Unidentified: drums. |
|
|
|
LIBERTY
LRP 3220 |
Love Again
(Snuff Garrett overdubs) |
Eddie
Cochran |
2:10 |
BCD 15989 HK |
|
LIBERTY
LRP 3220 |
Lonely
(Snuff Garrett
overdubs) |
Eddie
Cochran |
2:13 |
BCD 15989 HK |
| |
|
|
Guitar overdub produced by Snuff Garrett possibly July 20, 1962 at
Liberty Custom Recorders, Hollywood California. Leader and guitar: Tommy
Allsup. |
|
|
| |
'Love Again'
(Snuff Garrett overdubs) and
'Lonely'
(Snuff Garrett overdubs) also available on CD ROCKSTAR RSRCD 026. |
| |
|
|
 |
 |
 |
|
|
Liberty
F-55144 |
Liberty
F-55278 (promo) |
Liberty
LRP3220 |
Bear Family BCD 15989 HK (Ger) |
|
|
Early or Mid 1958
|
|
|
Eddie Cochran |
|
|
Unknown recording location |
|
| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
|
ROCKSTAR RSRCD 009 (UK) |
Cruisin' The Drive-In |
Eddie
Cochran |
1:40 |
BCD 15989 HK |
|
|
|
|
|
|
|
Musicians -
Eddie Cochran: vocal and guitar - Bass voice: Warren Flock - Unidentified:
backing vocals ands other musicians. |
| |
|
| |
'Cruisin'
The Drive-In' also available on CD ROCKSTAR RSRCD 009. |
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| Rockstar RSRCD
009 (UK) |
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Bear Family BCD 15989 HK (Ger) |
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| (possibly) Early Summer 1958 |
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| Eddie Cochran |
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| Goldstar Studio - Hollywood, California |
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| Matrix
nr |
Original
release |
Title |
Vocal |
Time |
Available on |
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ROCKSTAR RSRCD 010 (UK) |
One Minute To One |
Eddie
Cochran |
2:06 |
BCD 15989 HK |
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Musicians -
Eddie Cochran: vocal and guitar - Unidentified: other musicians. |
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'One Minte
To One' is also available on CD ROCKSTAR RSRCD 010. |
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| Rockstar RSRCD
010 (UK) |
Goldstar
Studio acetate 'One Minute To One' (Courtesy Rockstar) |
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Bear Family BCD 15989 HK (Ger) |
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Acknowledgements:
Thanks to
Delcourt Didier for scans EAP 2-1059 (EP) and EAP 3-1059 (EP). Thanks to Paul Turner for detailed information on Jeannie,
Jeannie, Jeannie and Pretty Girl. Thanks
to Terry Gordon (Rockin'
Country Style)
for the scans of Liberty
F-55164 (promos), DOT 15833
(A). Thanks also to Erwin Peterseil for info on 'Ah, Pretty Girl'.
Thanks Uli Kisker for adressing 'Five Feet Of Lovin' Eddie Cochran
involvement contrary to Boxset booklet. Marc Alesina for playing time on
Bob Denton's '24 Hour Night.' Thanks to Josep Rulló for ''Third
track, take 6' info on 'Little Lou'. Thanks Uli Kisker for info on 'Jeannie,
Jeannie Jeannie' take "master X5" info. Thanks Kimmo Nieminen
for info on 'Summertime Blues.' Thanks Tony Barrett for info on 'Cruisin'
The Drive-In': Warren Flock bass voice.
Stuart Colman
information on the Snuff Garrett overdub sessions. |
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